10 And they set in it four rows of stones. A row of sardius, topaz, and carbuncle was the first row;
11 and the second row, an emerald, a sapphire, and a diamond;
12 and the third row, a jacinth, an agate, and an amethyst;
13 and the fourth row, a beryl, an onyx, and a jaspar: they were inclosed in inclosings of gold in their settings.
14 And the stones were according to the names of the children of Israel, twelve, according to their names; like the engravings of a signet, every one according to his name, for the twelve tribes.
15 And they made upon the breastplate chains like cords, of wreathen work of pure gold.
16 And they made two settings of gold, and two gold rings, and put the two rings on the two ends of the breastplate.
17 And they put the two wreathen chains of gold in the two rings at the ends of the breastplate.
18 And the `other' two ends of the two wreathen chains they put on the two settings, and put them on the shoulder-pieces of the ephod, in the forepart thereof.
19 And they made two rings of gold, and put them upon the two ends of the breastplate, upon the edge thereof, which was toward the side of the ephod inward.
20 And they made two rings of gold, and put them on the two shoulder-pieces of the ephod underneath, in the forepart thereof, close by the coupling thereof, above the skilfully woven band of the ephod.
21 And they did bind the breastplate by the rings thereof unto the rings of the ephod with a lace of blue, that it might be upon the skilfully woven band of the ephod, and that the breastplate might not be loosed from the ephod; as Jehovah commanded Moses.
Worthy.Bible » Commentaries » Commentary Critical and Explanatory on the Whole Bible » Commentary on Exodus 39
Commentary on Exodus 39 Commentary Critical and Explanatory on the Whole Bible
CHAPTER 39
Ex 39:1-43. Garments of the Priests.
1, 2. cloths of service—official robes. The ephod of the high priest, the robe of the ephod, the girdle of needlework, and the embroidered coat were all of fine linen; for on no material less delicate could such elaborate symbolical figures have been portrayed in embroidery, and all beautified with the same brilliant colors. (See on Ex 28:1-43).
3. cut the gold into wires to work it—that is, the metal was beaten with a hammer into thin plates, cut with scissors or some other instrument into long slips, then rounded into filaments or threads. "Cloth of golden tissue is not uncommon on the monuments, and specimens of it have been found rolled about mummies; but it is not easy to determine whether the gold thread was originally interwoven or subsequently inserted by the embroiderer" [Taylor].
30. a writing, like to the engravings of a signet—The seal-ring worn both by ancient and modern Egyptians on the little finger of the right hand, contained, inscribed on a cornelian or other precious stone, along with the owner's name, a religious sentiment or sacred symbol, intimating that he was the servant of God, or expressive of trust in Him. And it was to this practice the inscription on the high priest alludes (compare Joh 3:33).
34. the covering of rams' skin dyed red—(See on Ex 25:5). It was probably red morocco leather and "badgers' skins," rather "the skins of the tahash, supposed to be the dugong, or dolphin of the Red Sea, the skin of which is still used by the Arabs under the same appellation" [Goss].
43. Moses did look upon all the work, and, behold, they had done it as the Lord had commanded—A formal inspection was made on the completion of the tabernacle, not only with a view to have the work transferred from the charge of the workmen, but to ascertain whether it corresponded with "the pattern." The result of a careful and minute survey showed that every plank, curtain, altar, and vase had been most accurately made of the form, and in the place designed by the Divine Architect—and Moses, in accepting it of their hands, thanked God for them, and begged Him to bless them.