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Psalms 115:8 Bible in Basic English (BBE)

8 Those who make them are like them; and so is everyone who puts his faith in them.

Cross Reference

Psalms 135:18 BBE

Those who make them are like them; and so is everyone who puts his hope in them.

Isaiah 44:9-20 BBE

Those who make a pictured image are all of them as nothing, and the things of their desire will be of no profit to them: and their servants see not, and have no knowledge; so they will be put to shame. Whoever makes a god, makes nothing but a metal image in which there is no profit. Truly, all those who make use of secret arts will be put to shame, and their words of power are only words of men: let them all come forward together; they will all be in fear and be put to shame. The iron-worker is heating the metal in the fire, giving it form with his hammers, and working on it with his strong arm: then for need of food his strength gives way, and for need of water he becomes feeble. The woodworker is measuring out the wood with his line, marking it out with his pencil: after smoothing it with his plane, and making circles on it with his instrument, he gives it the form and glory of a man, so that it may be placed in the house. He has cedars cut down for himself, he takes an oak and lets it get strong among the trees of the wood; he has an ash-tree planted, and the rain gives it growth. Then it will be used to make a fire, so that a man may get warm; he has the oven heated with it and makes bread: he makes a god with it, to which he gives worship: he makes a pictured image out of it, and goes down on his face before it. With part of it he makes a fire, and on the fire he gets meat cooked and takes a full meal: he makes himself warm, and says, Aha! I am warm, I have seen the fire: And the rest of it he makes into a god, even his pictured image: he goes down on his face before it, giving worship to it, and making prayer to it, saying, Be my saviour; for you are my god. They have no knowledge or wisdom; for he has put a veil over their eyes, so that they may not see; and on their hearts, so that they may not give attention. And no one takes note, no one has enough knowledge or wisdom to say, I have put part of it in the fire, and made bread on it; I have had a meal of the flesh cooked with it: and am I now to make the rest of it into a false god? am I to go down on my face before a bit of wood? As for him whose food is the dust of a dead fire, he has been turned from the way by a twisted mind, so that he is unable to keep himself safe by saying, What I have here in my hand is false.

Jeremiah 10:8 BBE

But they are together like beasts and foolish: the teaching of false gods is wood.

Jonah 2:8 BBE

When my soul in me was overcome, I kept the memory of the Lord: and my prayer came in to you, into your holy Temple.

Habakkuk 2:18-19 BBE

What profit is the pictured image to its maker? and as for the metal image, the false teacher, why does its maker put his faith in it, making false gods without a voice? A curse on him who says to the wood, Awake! to the unbreathing stone, Up! let it be a teacher! See, it is plated with gold and silver, and there is no breath at all inside it.

Worthy.Bible » Commentaries » Keil & Delitzsch Commentary » Commentary on Psalms 115

Commentary on Psalms 115 Keil & Delitzsch Commentary


Introduction

Call to the God of Israel, the Living God, to Rescue the Honour of His Name

This Psalm, which has scarcely anything in common with the preceding Psalm except that the expression “house of Jacob,” Psalms 114:1, is here broken up into its several members in Psalms 115:12., is found joined with it, making one Psalm, in the lxx, Syriac, Arabic and Aethiopic versions, just as on the other hand Ps 116 is split up into two. This arbitrary arrangement condemns itself. Nevertheless Kimchi favours it, and it has found admission into not a few Hebrew manuscripts.

It is a prayer of Israel for God's aid, probably in the presence of an expedition against heathen enemies. The two middle strophes of the four are of the same compass. Ewald's conjecture, that whilst the Psalm was being sung the sacrifice was proceeded with, and that in Psalms 115:12 the voice of a priest proclaims the gracious acceptance of the sacrifice, is pleasing. But the change of voices begins even with Psalms 115:9, as Olshausen also supposes.


Verse 1-2

It has to do not so much with the honour of Israel, which is not worthy of the honour (Ezekiel 36:22.) and has to recognise in its reproach a well-merited chastisement, as with the honour of Him who cannot suffer the reproaching of His holy name to continue long. He willeth that His name should be sanctified. In the consciousness of his oneness with this will, the poet bases his petition, in so far as it is at the same time a petition on behalf of Israel, upon God's cha'ris and alee'theia as upon two columns. The second על , according to an express note of the Masora, has no Waw before it, although the lxx and Targum insert one. The thought in Psalms 115:2 is moulded after Psalms 79:10, or after Joel 2:17, cf. Psalms 42:4; Micah 7:10. איּה־נא is the same style as נגדּה־נּא in Psalms 116:18, cf. in the older language אל־נא , אם־נא , and the like.


Verses 3-8

The poet, with “And our God,” in the name of Israel opposes the scornful question of the heathen by the believingly joyous confession of the exaltation of Jahve above the false gods. Israel's God is in the heavens, and is therefore supramundane in nature and life, and the absolutely unlimited One, who is able to do all things with a freedom that is conditioned only by Himself: quod vult , valet ( Psalms 115:3 = Psalms 135:6, Wisd. 12:18, and frequently). The carved gods ( עצב , from עצב , cogn. חצב , קצב ) of the heathen, on the contrary, are dead images, which are devoid of all life, even of the sensuous life the outward organs of which are imagined upon them. It cannot be proved with Ecclesiastes 5:16 that ידיהם and רגליחם are equivalent to ידים להם , רגלים . They are either subjects which the Waw apodosis cf. Genesis 22:24; Proverbs 23:24; Habakkuk 2:5) renders prominent, or casus absoluti (Ges. §145, 2), since both verbs have the idols themselves as their subjects less on account of their gender ( יד and רגל are feminine, but the Hebrew usage of genders is very free and not carried out uniformly) as in respect of Psalms 115:7 : with reference to their hands, etc. ימישׁוּן is the energetic future form, which goes over from משׁשׁ into מוּשׁ , for ימשּׁוּ . It is said once again in Psalms 115:7 that speech is wanting to them; for the other negations only deny life to them, this at the same time denies all personality. The author might know from his own experience how little was the distinction made by the heathen worship between the symbol and the thing symbolized. Accordingly the worship of idols seems to him, as to the later prophets, to be the extreme of self-stupefaction and of the destruction of human consciousness; and the final destiny of the worshippers of false gods, as he says in Psalms 115:8, is, that they become like to their idols, that is to say, being deprived of their consciousness, life, and existence, they come to nothing, like those their nothingnesses (Isaiah 44:9). This whole section of the Psalm is repeated in Ps 135 (Psalms 115:6, Psalms 115:15).


Verses 9-14

After this confession of Israel there now arises a voice that addresses itself to Israel. The threefold division into Israel, the house of Aaron, and those who fear Jahve is the same as in Psalms 118:2-4. In Ps 135 the “house of Levi” is further added to the house of Aaron. Those who fear Jahve, who also stand in the last passage, are probably the proselytes (in the Acts of the Apostles σεβόμενοι τὸν Θεόν , or merely σεβόμενοι )

(Note: The appellation φοβούμενοι does not however occur, if we do not bring Acts 10:2 in here; but in Latin inscriptions in Orelli-Hentzen No. 2523, and in Auer in the Zeitschrift für katholische Theologie 1852, S. 80, the proselyte ( religionis Judaicae ) is called metuens .))

at any rate these are included even if Israel in Psalms 115:9 is meant to signify the laity, for the notion of “those who fear Jahve” extends beyond Israel. The fact that the threefold refrain of the summons does not run, as in Psalms 33:20, our help and shield is He , is to be explained from its being an antiphonal song. In so far, however, as the Psalm supplicates God's protection and help in a campaign the declaration of confident hope, their help and shield is He , may, with Hitzig, be referred to the army that is gone or is going forth. It is the same voice which bids Israel to be of good courage and announces to the people the well-pleased acceptance of the sacrifice with the words “Jahve hath been mindful of us” ( זכרנוּ ה , cf. עתּה ידעתּי , Psalms 20:7), perhaps simultaneously with the presentation of the memorial portion ( אזכרה ) of the meat-offering (Psalms 38:1). The יברך placed at the head is particularized threefold, corresponding to the threefold summons. The special promise of blessing which is added in Psalms 115:14 is an echo of Deuteronomy 1:11, as in 2 Samuel 24:3. The contracted future יסף we take in a consolatory sense; for as an optative it would be too isolated here. In spite of all oppression on the part of the heathen, God will make His people ever more numerous, more capable of offering resistance, and more awe-inspiring.


Verses 15-18

The voice of consolation is continued in Psalms 115:15, but it becomes the voice of hope by being blended with the newly strengthened believing tone of the congregation. Jahve is here called the Creator of heaven and earth because the worth and magnitude of His blessing are measured thereby. He has reserved the heavens to Himself, but given the earth to men. This separation of heaven and earth is a fundamental characteristic of the post-diluvian history. The throne of God is in the heavens, and the promise, which is given to the patriarchs on behalf of all mankind, does not refer to heaven, but to the possession of the earth (Psalms 37:22). The promise is as yet limited to this present world, whereas in the New Testament this limitation is removed and the κληρονομία embraces heaven and earth. This Old Testament limitedness finds further expression in Psalms 115:17, where דּוּמה , as in Psalms 94:17, signifies the silent land of Hades. The Old Testament knows nothing of a heavenly ecclesia that praises God without intermission, consisting not merely of angels, but also of the spirits of all men who die in the faith. Nevertheless there are not wanting hints that point upwards which were even better understood by the post-exilic than by the pre-exilic church. The New Testament morn began to dawn even upon the post-exilic church. We must not therefore be astonished to find the tone of Psalms 6:6; Psalms 30:10; Psalms 88:11-13, struck up here, although the echo of those earlier Psalms here is only the dark foil of the confession which the church makes in Psalms 115:18 concerning its immortality. The church of Jahve as such does not die. That it also does not remain among the dead, in whatever degree it may die off in its existing members, the psalmist might know from Isaiah 26:19; Isaiah 25:8. But the close of the Psalm shows that such predictions which light up the life beyond only gradually became elements of the church's consciousness, and, so to speak, dogmas.