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Psalms 68:24 Bible in Basic English (BBE)

24 We see your going, O God: even the going of my God, my King, into the holy place.

Cross Reference

2 Samuel 6:12-17 BBE

And they said to King David, The blessing of the Lord is on the family of Obed-edom and on all he has, because of the ark of God. And David went and took the ark of God from the house of Obed-edom into the town of David with joy. And when those who were lifting the ark of the Lord had gone six steps, he made an offering of an ox and a fat young beast. And David, clothed in a linen ephod, was dancing before the Lord with all his strength. So David and all the men of Israel took up the ark of the Lord with cries of joy and sounding of horns. And when the ark of the Lord came into the town of David, Michal, Saul's daughter, looking out of the window, saw King David dancing and jumping before the Lord; and to her mind he seemed foolish. And they took in the ark of the Lord, and put it in its place inside the tent which David had put up for it: and David made burned offerings and peace-offerings to the Lord.

1 Chronicles 13:8 BBE

Then David and all Israel made melody before God with all their strength, with songs and corded instruments of music, and with brass instruments and horns.

1 Chronicles 15:16-24 BBE

And David gave orders to the chief of the Levites to put their brothers the music-makers in position, with instruments of music, corded instruments and brass, with glad voices making sounds of joy. So Heman, the son of Joel, and, of his brothers, Asaph, the son of Berechiah; and of the sons of Merari their brothers, Ethan, the son of Kushaiah, were put in position by the Levites; And with them their brothers of the second order, Zechariah, Bani and Jaaziel and Shemiramoth and Jehiel and Unni, Eliab and Benaiah and Maaseiah and Mattithiah and Eliphelehu and Mikneiah, and Obed-edom and Jeiel, the door-keepers. So those who made melody, Heman, Asaph, and Ethan, were put in position, with brass instruments, sounding loudly; And Zechariah and Aziel and Shemiramoth and Jehiel, Unni and Eliab and Maaseiah and Benaiah, with corded instruments put to Alamoth. And Mattithiah and Eliphelehu and Mikneiah and Obed-edom and Jeiel and Azaziah, with corded instruments on the octave, to give the first note of the song. And Chenaniah, chief of the Levites, was master of the music: he gave directions about the song, because he was expert. And Berechiah and Elkanah were door-keepers for the ark. And Shebaniah and Joshaphat and Nethanel and Amasai and Zechariah and Benaiah and Eliezer, the priests, made music on the horns before the ark of God; and Obed-edom and Jehiah were door-keepers for the ark.

Psalms 24:7-10 BBE

Let your heads be lifted up, O doors; be lifted up, O you eternal doors: that the King of glory may come in. Who is the King of glory? The Lord of strength and power, the Lord strong in war. Let your heads be lifted up, O doors; let them be lifted up, O you eternal doors: that the King of glory may come in. Who is the King of glory? The Lord of armies, he is the King of glory. (Selah.)

Psalms 47:5-7 BBE

God has gone up with a glad cry, the Lord with the sound of the horn. Give praises to God, make songs of praise; give praises to our King, make songs of praise. For God is the King of all the earth; make songs of praise with knowledge.

Psalms 63:2 BBE

To see your power and your glory, as I have seen you in the holy place.

Commentary on Psalms 68 Commentary Critical and Explanatory on the Whole Bible


PSALM 68

Ps 68:1-35. This is a Psalm-song (see on Ps 30:1, title), perhaps suggested by David's victories, which secured his throne and gave rest to the nation. In general terms, the judgment of God on the wicked, and the equity and goodness of His government to the pious, are celebrated. The sentiment is illustrated by examples of God's dealings, cited from the Jewish history and related in highly poetical terms. Hence the writer intimates an expectation of equal and even greater triumphs and summons all nations to unite in praises of the God of Israel. The Psalm is evidently typical of the relation which God, in the person of His Son, sustains to the Church (compare Ps 68:18).

1-3. Compare Nu 10:35; Ps 1:4; 22:14, on the figures here used.

before him—as in Ps 68:2, from His presence, as dreaded; but in Ps 68:3, in His presence, as under His protection (Ps 61:7).

3. the righteous—all truly pious, whether of Israel or not.

4. extol him … heavens—literally, "cast up for Him who rideth in the deserts," or "wilderness" (compare Ps 68:7), alluding to the poetical representation of His leading His people in the wilderness as a conqueror, before whom a way is to be prepared, or "cast up" (compare Isa 40:3; 62:10).

by his name JAH—or, "Jehovah," of which it is a contraction (Ex 15:3; Isa 12:2) (Hebrew).

name—or, "perfections" (Ps 9:10; 20:1), which—

5, 6. are illustrated by the protection to the helpless, vindication of the innocent, and punishment of rebels, ascribed to Him.

6. setteth the solitary in families—literally, "settleth the lonely" (as wanderers) "at home." Though a general truth, there is perhaps allusion to the wandering and settlement of the Israelites.

rebellious dwell in a dry land—removed from all the comforts of home.

7, 8. (Compare Ex 19:16-18).

thou wentest—in the pillar of fire.

thou didst march—literally, "in Thy tread," Thy majestic movement.

8. even Sinai itself—literally, "that Sinai," as in Jud 5:5.

9, 10. a plentiful rain—a rain of gifts, as manna and quails.

10. Thy congregation—literally, "troop," as in 2Sa 23:11, 13—the military aspect of the people being prominent, according to the figures of the context.

therein—that is, in the land of promise.

the poor—Thy humble people (Ps 68:9; compare Ps 10:17; 12:5).

11. gave the word—that is, of triumph.

company—or, choir of females, celebrating victory (Ex 15:20).

12. Kings of armies—that is, with their armies.

she that … at home—Mostly women so remained, and the ease of victory appears in that such, without danger, quietly enjoyed the spoils.

13. Some translate this, "When ye shall lie between the borders, ye shall," &c., comparing the peaceful rest in the borders or limits of the promised land to the proverbial beauty of a gentle dove. Others understand by the word rendered "pots," the smoked sides of caves, in which the Israelites took refuge from enemies in the times of the judges; or, taking the whole figuratively, the rows of stones on which cooking vessels were hung; and thus that a contrast is drawn between their former low and afflicted state and their succeeding prosperity. In either case, a state of quiet and peace is described by a beautiful figure.

14. Their enemies dispersed, the contrast of their prosperity with their former distress is represented by that of the snow with the dark and somber shades of Salmon.

15, 16. Mountains are often symbols of nations (Ps 46:2; 65:6). That of Bashan, northeast of Palestine, denotes a heathen nation, which is described as a "hill of God," or a great hill. Such are represented as envious of the hill (Zion) on which God resides;

17. and, to the assertion of God's purpose to make it His dwelling, is added evidence of His protecting care. He is described as in the midst of His heavenly armies—

thousands of angels—literally, "thousands of repetitions," or, "thousands of thousands"—that is, of chariots. The word "angels" was perhaps introduced in our version, from De 33:2, and Ga 3:19. They are, of course, implied as conductors of the chariots.

as … Sinai, in the holy place—that is, He has appeared in Zion as once in Sinai.

18. From the scene of conquest He ascends to His throne, leading—

captivity captive—or, "many captives captive" (Jud 5:12).

received gifts for men—accepting their homage, even when forced, as that of rebels.

that the Lord God might dwell—or literally, "to dwell, O Lord God" (compare Ps 68:16)—that is, to make this hill, His people or Church, His dwelling. This Psalm typifies the conquests of the Church under her divine leader, Christ. He, indeed, "who was with the Church in the wilderness" (Ac 7:38) is the Lord, described in this ideal ascension. Hence Paul (Eph 4:8) applies this language to describe His real ascension, when, having conquered sin, death, and hell, the Lord of glory triumphantly entered heaven, attended by throngs of adoring angels, to sit on the throne and wield the scepter of an eternal dominion. The phrase "received gifts for (or literally, among) men" is by Paul, "gave gifts to men." Both describe the acts of a conqueror, who receives and distributes spoils. The Psalmist uses "receiving" as evincing the success, Paul "gave" as the act, of the conqueror, who, having subdued his enemies, proceeds to reward his friends. The special application of the passage by Paul was in proof of Christ's exaltation. What the Old Testament represents of His descending and ascending corresponds with His history. He who descended is the same who has ascended. As then ascension was an element of His triumph, so is it now; and He, who, in His humiliation, must be recognized as our vicarious sacrifice and the High Priest of our profession, must also be adored as Head of His Church and author of all her spiritual benefits.

19-21. God daily and fully supplies us. The issues or escapes from death are under His control, who is the God that saves us, and destroys His and our enemies.

21. wound the head—or, "violently destroy" (Nu 24:8; Ps 110:6).

goeth on still in … trespasses—perseveringly impenitent.

22. Former examples of God's deliverance are generalized: as He has done, so He will do.

from Bashan—the farthest region; and—

depths of the sea—the severest afflictions. Out of all, God will bring them. The figures of Ps 68:23 denote the completeness of the conquest, not implying any savage cruelty (compare 2Ki 9:36; Isa 63:1-6; Jer 15:3).

24-27. The triumphal procession, after the deliverance, is depicted.

They have seen—impersonally, "There have been seen."

the goings of my God—as leading the procession; the ark, the symbol of His presence, being in front. The various bands of music (Ps 68:25) follow, and all who are—

26. from—or literally, "of"

the fountain of Israel—that is, lineal descendants of Jacob, are invited to unite in the doxology. Then by one of the nearest tribes, one of the most eminent, and two of the most remote, are represented the whole nation of Israel, passing forward (Nu 7:1-89).

28, 29. Thanks for the past, and confident prayer for the future victories of Zion are mingled in a song of praise.

29. thy temple—literally, "over"

Jerusalem—His palace or residence (Ps 5:7) symbolized His protecting presence among His people, and hence is the object of homage on the part of others.

30. The strongest nations are represented by the strongest beasts (compare Margin).

31. Princes—or, literally, "fat ones," the most eminent from the most wealthy, and the most distant nation, represent the universal subjection.

stretch out her hands—or, "make to run her hands," denoting haste.

32-36. To Him who is presented as riding in triumph through His ancient heavens and proclaiming His presence—to Him who, in nature, and still more in the wonders of His spiritual government, out of His holy place (Ps 43:3), is terrible, who rules His Church, and, by His Church, rules the world in righteousness—let all nations and kingdoms give honor and power and dominion evermore.