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Psalms 96:5 Bible in Basic English (BBE)

5 For all the gods of the nations are false gods; but the Lord made the heavens.

Cross Reference

Psalms 115:15 BBE

May you have the blessing of the Lord, who made heaven and earth.

Isaiah 42:5 BBE

God the Lord, even he who made the heavens, measuring them out on high; stretching out the earth, and giving its produce; he who gives breath to the people on it, and life to those who go about on it, says:

Jeremiah 10:11-12 BBE

This is what you are to say to them: The gods who have not made the heavens and the earth will be cut off from the earth and from under the heavens. He has made the earth by his power, he has made the world strong in its place by his wisdom, and by his wise design the heavens have been stretched out.

Genesis 1:1 BBE

At the first God made the heaven and the earth.

Psalms 115:3-8 BBE

But our God is in heaven: he has done whatever was pleasing to him. Their images are silver and gold, the work of men's hands. They have mouths, but no voice; they have eyes, but they see not; They have ears, but no hearing; they have noses, but no sense of smell; They have hands without feeling, and feet without power of walking; and no sound comes from their throat. Those who make them are like them; and so is everyone who puts his faith in them.

Psalms 135:15 BBE

The images of the nations are silver and gold, the work of men's hands.

Psalms 135:18 BBE

Those who make them are like them; and so is everyone who puts his hope in them.

Isaiah 44:8-28 BBE

Have no fear, be strong in heart; have I not made it clear to you in the past, and let you see it? and you are my witnesses. Is there any God but me, or a Rock of whom I have no knowledge? Those who make a pictured image are all of them as nothing, and the things of their desire will be of no profit to them: and their servants see not, and have no knowledge; so they will be put to shame. Whoever makes a god, makes nothing but a metal image in which there is no profit. Truly, all those who make use of secret arts will be put to shame, and their words of power are only words of men: let them all come forward together; they will all be in fear and be put to shame. The iron-worker is heating the metal in the fire, giving it form with his hammers, and working on it with his strong arm: then for need of food his strength gives way, and for need of water he becomes feeble. The woodworker is measuring out the wood with his line, marking it out with his pencil: after smoothing it with his plane, and making circles on it with his instrument, he gives it the form and glory of a man, so that it may be placed in the house. He has cedars cut down for himself, he takes an oak and lets it get strong among the trees of the wood; he has an ash-tree planted, and the rain gives it growth. Then it will be used to make a fire, so that a man may get warm; he has the oven heated with it and makes bread: he makes a god with it, to which he gives worship: he makes a pictured image out of it, and goes down on his face before it. With part of it he makes a fire, and on the fire he gets meat cooked and takes a full meal: he makes himself warm, and says, Aha! I am warm, I have seen the fire: And the rest of it he makes into a god, even his pictured image: he goes down on his face before it, giving worship to it, and making prayer to it, saying, Be my saviour; for you are my god. They have no knowledge or wisdom; for he has put a veil over their eyes, so that they may not see; and on their hearts, so that they may not give attention. And no one takes note, no one has enough knowledge or wisdom to say, I have put part of it in the fire, and made bread on it; I have had a meal of the flesh cooked with it: and am I now to make the rest of it into a false god? am I to go down on my face before a bit of wood? As for him whose food is the dust of a dead fire, he has been turned from the way by a twisted mind, so that he is unable to keep himself safe by saying, What I have here in my hand is false. Keep these things in mind, O Jacob; and you Israel, for you are my servant: I have made you; you are my servant; O Israel, I will not let you go out of my memory. I have put your evil doings out of my mind like a thick cloud, and your sins like a mist: come back to me; for I have taken up your cause. Make a song, O heavens, for the Lord has done it: give a loud cry, you deep parts of the earth: let your voices be loud in song, you mountains, and you woods with all your trees: for the Lord has taken up the cause of Jacob, and will let his glory be seen in Israel. The Lord, who has taken up your cause, and who gave you life in your mother's body, says, I am the Lord who makes all things; stretching out the heavens by myself, and giving the earth its limits; who was with me? Who makes the signs of those who give word of the future come to nothing, so that those who have knowledge of secret arts go off their heads; turning the wise men back, and making their knowledge foolish: Who makes the word of his servants certain, and gives effect to the purposes of his representatives; who says of Jerusalem, Her people will come back to her; and of the towns of Judah, I will give orders for their building, and will make her waste places fertile again: Who says to the deep, Be dry, and I will make your rivers dry: Who says of Cyrus, He will take care of my sheep, and will do all my pleasure: who says of Jerusalem, I will give the word for your building; and of the Temple, Your bases will be put in place.

Isaiah 46:1-2 BBE

Bel is bent down, Nebo is falling; their images are on the beasts and on the cattle: the things which you took about have become a weight to the tired beast. They are bent down, they are falling together: they were not able to keep their images safe, but they themselves have been taken prisoner.

Jeremiah 10:3-5 BBE

For that which is feared by the people is foolish: it is the work of the hands of the workman; for a tree is cut down by him out of the woods with his axe. They make it beautiful with silver and gold; they make it strong with nails and hammers, so that it may not be moved. It is like a pillar in a garden of plants, and has no voice: it has to be lifted, for it has no power of walking. Have no fear of it; for it has no power of doing evil and it is not able to do any good.

Jeremiah 10:14-15 BBE

Then every man becomes like a beast without knowledge; every gold-worker is put to shame by the image he has made: for his metal image is deceit, and there is no breath in them. They are nothing, a work of error: in the time of their punishment, destruction will overtake them.

Acts 19:26 BBE

And you see, for it has come to your ears, that not only at Ephesus, but almost all through Asia, this Paul has been teaching numbers of people and turning them away, saying that those are not gods who are made by men's hands:

1 Corinthians 8:4 BBE

So, then, as to the question of taking food offered to images, we are certain that an image is nothing in the world, and that there is no God but one.

Worthy.Bible » Commentaries » Keil & Delitzsch Commentary » Commentary on Psalms 96

Commentary on Psalms 96 Keil & Delitzsch Commentary


Introduction

A Greeting of the Coming Kingdom of God

What Psalms 95:3 says: “A great God is Jahve, and a great King above all gods,” is repeated in Psalms 96:1-13. The lxx inscribes it (1) ᾠδὴ τῷ Δαυίδ , and the chronicler has really taken it up almost entire in the song which was sung on the day when the Ark was brought in ( 1 Chronicles 16:23-33); but, as the coarse seams between vv. 22-23, vv. 33-34 show, he there strings together familiar reminiscences of the Psalms (vid., on Ps 105) as a sort of mosaic, in order approximately to express the festive mood and festive strains of that day. And (2) ὅτε ὁ οἶκος ᾠκοδομεῖτο (Cod. Vat. ᾠκοδόμηται ) μετὰ τὴν αἰχμαλωσίαν . By this the lxx correctly interprets the Psalm as a post-exilic song: and the Psalm corresponds throughout to the advance which the mind of Israel has experienced in the Exile concerning its mission in the world. The fact that the religion of Jahve is destined for mankind at large, here receives the most triumphantly joyous, lyrical expression. And so far as this is concerned, the key-note of the Psalm is even deutero-Isaianic. For it is one chief aim of Isaiah 40:1 to declare the pinnacle of glory of the Messianic apostolic mission on to which Israel is being raised through the depth of affliction of the Exile. All these post-exilic songs come much nearer to the spirit of the New Testament than the pre-exilic; for the New Testament, which is the intrinsic character of the Old Testament freed from its barriers and limitations, is in process of coming into being ( im Werden begriffen ) throughout the Old Testament, and the Exile was one of the most important crises in this progressive process.

Psalms 96:1 are more Messianic than many in the strict sense of the word Messianic; for the central (gravitating) point of the Old Testament gospel ( Heilsverkündigung ) lies not in the Messiah, but in the appearing (parusia) of Jahve - a fact which is explained by the circumstance that the mystery of the incarnation still lies beyond the Old Testament knowledge or perception of salvation. All human intervention in the matter of salvation accordingly appears as purely human, and still more, it preserves a national and therefore outward and natural impress by virtue of the national limit within which the revelation of salvation has entered. If the ideal Davidic king who is expected even does anything superhuman, he is nevertheless only a man - a man of God, it is true, without his equal, but not the God-man. The mystery of the incarnation does, it is true, the nearer it comes to actual revelation, cast rays of its dawning upon prophecy, but the sun itself remains below the horizon: redemption is looked for as Jahve's own act, and “Jahve cometh” is also still the watchword of the last prophet (Malachi 3:1).

The five six-line strophes of the Psalm before us are not to be mistaken. The chronicler has done away with five lines, and thereby disorganized the strophic structure; and one line ( Psalms 96:10 ) he has removed from its position. The originality of the Psalm in the Psalter, too, is revealed thereby, and the non-independence of the chronicler, who treats the Psalm as an historian.


Verses 1-3

Call to the nation of Jahve to sing praise to its God and to evangelize the heathen. שׁירוּ is repeated three times. The new song assumes a new form of things, and the call thereto, a present which appeared to be a beginning that furnished a guarantee of this new state of things, a beginning viz., of the recognition of Jahve throughout the whole world of nations, and of His accession to the lordship over the whole earth. The new song is an echo of the approaching revelation of salvation and of glory, and this is also the inexhaustible material of the joyful tidings that go forth from day to day ( מיּום ליום as in Esther 3:7, whereas in the Chronicles it is מיום אל־יום as in Numbers 30:15). We read Psalms 96:1 verbally the same in Isaiah 42:10; Psalms 96:2 calls to mind Isaiah 52:7; Isaiah 60:6; and Psalms 96:3 , Isaiah 66:19.


Verses 4-6

Confirmation of the call from the glory of Jahve that is now become manifest. The clause Psalms 96:4 , as also Psalms 145:3, is taken out of Psalms 48:2. כל־אלהים is the plural of כּל־אלוהּ , every god, 2 Chronicles 32:15; the article may stand here or be omitted (Psalms 95:3, cf. Psalms 113:4). All the elohim, i.e., gods, of the peoples are אלילים (from the negative אל ), nothings and good-for-nothings, unreal and useless. The lxx renders δαιμόνια , as though the expression were שׁדים (cf. 1 Corinthians 10:20), more correctly εἴδωλα in Revelation 9:20. What Psalms 96:5 says is wrought out in Isa 40, Isa 44, and elsewhere; אלילים is a name of idols that occurs nowhere more frequently than in Isaiah. The sanctuary (Psalms 96:6) is here the earthly sanctuary. From Jerusalem, over which the light arises first of all (Isa. 60), Jahve's superterrestrial doxa now reveals itself in the world. הוד־והדר is the usual pair of words for royal glory. The chronicler reads Psalms 96:6 עז וחדוה בּמקמו , might and joy are in His place ( הדוה( ecalp siH ni era yoj d a late word, like אחוה , brotherhood, brotherly affection, from an old root, Exodus 18:9). With the place of God one might associate the thought of the celestial place of God transcending space; the chronicler may, however, have altered במקדשׁו into במקמו because when the Ark was brought in, the Temple ( בית המקדשׁ ) was not yet built.


Verses 7-9

Call to the families of the peoples to worship God, the One, living, and glorious God. הבוּ is repeated three times here as Psalms 29:1-11, of which the whole strophe is an echo. Isaiah (ch. 60) sees them coming in with the gifts which they are admonished to bring with them into the courts of Jahve (in Chr. only: לפניו ). Instead of בּהדרת קדשׁ here and in the chronicler, the lxx brings the courts ( חצרת ) in once more; but the dependence of the strophe upon Psalms 29:1-11 furnishes a guarantee for the “holy attire,” similar to the wedding garment in the New Testament parable. Instead of מפּניו , Psalms 96:9 , the chronicler has מלּפניו , just as he also alternates with both forms, 2 Chronicles 32:7, cf. 1 Chronicles 19:18.


Verse 10-11

That which is to be said among the peoples is the joyous evangel of the kingdom of heaven which is now come and realized. The watchword is “Jahve is King,” as in Isaiah 52:7. The lxx correctly renders: ὁ κύριος ἐβασίλευσε

(Note: In the Psalterium Veronense with the addition apo xylu, Cod. 156, Latinizing ἀπὸ τῷ ξύλῳ ; in the Latin Psalters (the Vulgate excepted) a ligno , undoubtedly an addition by an early Christian hand, upon which, however, great value is set by Justin and all the early Latin Fathers.)

for מלך is intended historically (Revelation 11:17). אף , as in Psalms 93:1, introduces that which results from this fact, and therefore to a certain extent goes beyond it. The world below, hitherto shaken by war and anarchy, now stands upon foundations that cannot be shaken in time to come, under Jahve's righteous and gentle sway. This is the joyful tidings of the new era which the poet predicts from out of his own times, when he depicts the joy that will then pervade the whole creation; in connection with which it is hardly intentional that Psalms 96:11 and Psalms 96:11 acrostically contain the divine names יהוה and יהו . This joining of all creatures in the joy at Jahve's appearing is a characteristic feature of Isaiah 40:1. These cords are already struck in Isaiah 35:1. “The sea and its fulness” as in Isaiah 42:10. In the chronicler Psalms 96:10 ( ויאמרו instead of אמרו ) stands between Psalms 96:11 and Psalms 96:11 - according to Hitzig, who uses all his ingenuity here in favour of that other recension of the text, by an oversight of the copyist.


Verse 12-13

The chronicler changes שׂדי into the prosaic השּׂדה , and כל־עצי־יעל with the omission of the כל into עצי היּער . The psalmist on his part follows the model of Isaiah, who makes the trees of the wood exult and clap their hands, Psalms 55:12; Psalms 44:23. The אז , which points into this festive time of all creatures which begins with Jahve's coming, is as in Isaiah 35:5. Instead of לפני , “before,” the chronicler has the מלּפני so familiar to him, by which the joy is denoted as being occasioned by Jahve's appearing. The lines Psalms 96:13 sound very much like Psalms 9:9. The chronicler has abridged Psalms 96:13, by hurrying on to the mosaic-work portion taken from Ps 105. The poet at the close glances from the ideal past into the future. The twofold בּא is a participle, Ew. §200. Being come to judgment, after He has judged and sifted, executing punishment, Jahve will govern in the righteousness of mercy and in faithfulness to the promises.