6 With wind instruments and the sound of the horn, make a glad cry before the Lord, the King.
And the Lord said to Moses, Make two silver horns of hammered work, to be used for getting the people together and to give the sign for the moving of the tents. When they are sounded, all the people are to come together to you at the door of the Tent of meeting. If only one of them is sounded, then the chiefs, the heads of the thousands of Israel, are to come to you. When a loud note is sounded, the tents placed on the east side are to go forward. At the sound of a second loud note, the tents on the south side are to go forward: the loud note will be the sign to go forward. But when all the people are to come together, the horn is to be sounded but not loudly. The horns are to be sounded by the sons of Aaron, the priests; this is to be a law for you for ever, from generation to generation. And if you go to war in your land against any who do you wrong, then let the loud note of the horn be sounded; and the Lord your God will keep you in mind and give you salvation from those who are against you. And on days of joy and on your regular feasts and on the first day of every month, let the horns be sounded over your burned offerings and your peace-offerings; and they will put the Lord in mind of you: I am the Lord your God.
And the Levites who made the music, all of them, Asaph, Heman, Jeduthun, and their sons and brothers, robed in fair linen, were in their places with their brass and corded instruments at the east side of the altar, and with them a hundred and twenty priests blowing horns;) And when the players on horns, and those who made melody in song, with one voice were sounding the praise and glory of the Lord; with loud voices and with wind instruments, and brass and corded instruments of music, praising the Lord and saying, He is good; his mercy is unchanging for ever: then the house was full of the cloud of the glory of the Lord,
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Commentary on Psalms 98 Keil & Delitzsch Commentary
Greeting to Him Who Is Become Known in Righteousness and Salvation
This is the only Psalm which is inscribed מזמור without further addition, whence it is called in B. Aboda Zara , 24 b , מזמורא יתומא (the orphan Psalm). The Peshîto Syriac inscribes it De redemtione populi ex Aegypto ; the “new song,” however, is not the song of Moses, but the counterpart of this, cf. Revelation 15:3. There “the Lord reigneth” resounded for the first time, at the sea; here the completion of the beginning there commenced is sung, viz., the final glory of the divine kingdom, which through judgment breaks through to its full reality. The beginning and end are taken from Psalms 96:1-13. Almost all that lies between is taken from the second part of Isaiah. This book of consolation for the exiles is become as it were a Castalian spring for the religious lyric.
Psalms 98:1 we have already read in Psalms 96:1. What follows in Psalms 98:1 is taken from Isaiah 52:10; Isaiah 63:5, cf. Psalms 98:7, Psalms 59:16, cf. Psalms 40:10. The primary passage, Isaiah 52:10, shows that the Athnach of Psalms 98:2 is correctly placed. לעיני is the opposite of hearsay (cf. Arab. l - l - ‛yn , from one's own observation, opp . Arab. l - l - chbr , from the narrative of another person). The dative לבית ישראל depends upon ויּזכּר , according to Psalms 106:45, cf. Luke 1:54.
The call in Psalms 98:4 demands some joyful manifestation of the mouth, which can be done in many ways; in Psalms 98:5 the union of song and the music of stringed instruments, as of the Levites; and in Psalms 98:6 the sound of wind instruments, as of the priests. On Psalms 98:4 cf. Isaiah 44:23; Isaiah 49:13; Isaiah 52:9, together with Isaiah 14:7 (inasmuch as פּצחוּ ורננוּ is equivalent to פּצחוּ רנּה ). קול זמרה is found also in Isaiah 51:3.
Here, too, it is all an echo of the earlier language of Psalms and prophets: Psalms 98:7 = Psalms 96:11; Psalms 98:7 like Psalms 24:1; Psalms 98:8 after Isaiah 55:12 (where we find מחא כּף instead of the otherwise customary תּקע כּף , Psalms 47:2; or הכּה כּף , 2 Kings 11:12, is said of the trees of the field); Psalms 98:9 - Psalms 96:13, cf. Psalms 36:10 . In the bringing in of nature to participate in the joy of mankind, the clapping rivers ( נהרות ) are original to this Psalm: the rivers cast up high waves, which flow into one another like clapping hands;
(Note: Luther renders: “the water-floods exult” ( frohlocken ); and Eychman's Vocabularius predicantium explains plaudere by “to exult ( frohlocken ) for joy, to smite the hands together prae gaudio ;” cf. Luther's version of Ezekiel 21:17.)
cf. Habakkuk 3:10, where the abyss of the sea lifts up its hands on high, i.e., causes its waves to run mountain-high.