1 {To the chief Musician. An instruction; of the sons of Korah.} As the hart panteth after the water-brooks, so panteth my soul after thee, O God.
2 My soul thirsteth for God, for the living ùGod: when shall I come and appear before God?
3 My tears have been my bread day and night, while they say unto me all the day, Where is thy God?
4 These things I remember and have poured out my soul within me: how I passed along with the multitude, how I went on with them to the house of God, with the voice of joy and praise, a festive multitude.
5 Why art thou cast down, my soul, and art disquieted in me? hope in God; for I shall yet praise him, [for] the health of his countenance.
6 My God, my soul is cast down within me; therefore do I remember thee from the land of the Jordan, and the Hermons, from mount Mizar.
7 Deep calleth unto deep at the noise of thy cataracts; all thy breakers and thy billows are gone over me.
8 In the day-time will Jehovah command his loving-kindness, and in the night his song shall be with me, a prayer unto the ùGod of my life.
9 I will say unto ùGod my rock, Why hast thou forgotten me? why go I mourning because of the oppression of the enemy?
10 As with a crushing in my bones mine adversaries reproach me, while they say unto me all the day, Where is thy God?
11 Why art thou cast down, my soul? and why art thou disquieted within me? hope in God; for I shall yet praise him, [who is] the health of my countenance, and my God.
Worthy.Bible » Commentaries » Matthew Henry Commentary » Commentary on Psalms 42
Commentary on Psalms 42 Matthew Henry Commentary
Psalm 42
If the book of Psalms be, as some have styled it, a mirror or looking-glass of pious and devout affections, this psalm in particular deserves, as much as any one psalm, to be so entitled, and is as proper as any to kindle and excite such in us: gracious desires are here strong and fervent; gracious hopes and fears, joys and sorrows, are here struggling, but the pleasing passion comes off a conqueror. Or we may take it for a conflict between sense and faith, sense objecting and faith answering.
The title does not tell us who was the penman of this psalm, but most probably it was David, and we may conjecture that it was penned by him at a time when, either by Saul's persecution or Absalom's rebellion, he was driven from the sanctuary and cut off from the privilege of waiting upon God in public ordinances. The strain of it is much the same with 63, and therefore we may presume it was penned by the same hand and upon the same or a similar occasion. In singing it, if we be either in outward affliction or in inward distress, we may accommodate to ourselves the melancholy expressions we find here; if not, we must, in singing them, sympathize with those whose case they speak too plainly, and thank God it is not our own case; but those passages in it which express and excite holy desires towards God, and dependence on him, we must earnestly endeavour to bring our minds up to.
To the chief musician, Maschil, for the sons of Korah.
Psa 42:1-5
Holy love to God as the chief good and our felicity is the power of godliness, the very life and soul of religion, without which all external professions and performances are but a shell and carcase: now here we have some of the expressions of that love. Here is,
Psa 42:6-11
Complaints and comforts here, as before, take their turn, like day and night in the course of nature.