6 My God, my soul is cast down within me; therefore do I remember thee from the land of the Jordan, and the Hermons, from mount Mizar.
And we took at that time the land out of the hand of the two kings of the Amorites, that were on this side the Jordan, from the river Arnon to mount Hermon (the Sidonians call Hermon Sirion, and the Amorites call it Senir):
and they took possession of his land, and the land of Og the king of Bashan, two kings of the Amorites, who were on this side the Jordan, toward the sun-rising; from Aroer, which is on the bank of the river Arnon, as far as mount Sion, which is Hermon,
I remember my song in the night; I muse in mine own heart, and my spirit maketh diligent search. Will the Lord cast off for ever? and will he be favourable no more? Hath his loving-kindness ceased for ever? hath [his] word come to an end from generation to generation? Hath ùGod forgotten to be gracious? or hath he in anger shut up his tender mercies? Selah. Then said I, This is my weakness: -- the years of the right hand of the Most High Will I remember, -- the works of Jah; for I will remember thy wonders of old,
{A Song, a Psalm for the sons of Korah. To the chief Musician. Upon Mahalath Leannoth. An instruction. Of Heman the Ezrahite.} Jehovah, God of my salvation, I have cried by day [and] in the night before thee. Let my prayer come before thee; incline thine ear unto my cry. For my soul is full of troubles, and my life draweth nigh to Sheol.
Worthy.Bible » Commentaries » Matthew Henry Commentary » Commentary on Psalms 42
Commentary on Psalms 42 Matthew Henry Commentary
Psalm 42
If the book of Psalms be, as some have styled it, a mirror or looking-glass of pious and devout affections, this psalm in particular deserves, as much as any one psalm, to be so entitled, and is as proper as any to kindle and excite such in us: gracious desires are here strong and fervent; gracious hopes and fears, joys and sorrows, are here struggling, but the pleasing passion comes off a conqueror. Or we may take it for a conflict between sense and faith, sense objecting and faith answering.
The title does not tell us who was the penman of this psalm, but most probably it was David, and we may conjecture that it was penned by him at a time when, either by Saul's persecution or Absalom's rebellion, he was driven from the sanctuary and cut off from the privilege of waiting upon God in public ordinances. The strain of it is much the same with 63, and therefore we may presume it was penned by the same hand and upon the same or a similar occasion. In singing it, if we be either in outward affliction or in inward distress, we may accommodate to ourselves the melancholy expressions we find here; if not, we must, in singing them, sympathize with those whose case they speak too plainly, and thank God it is not our own case; but those passages in it which express and excite holy desires towards God, and dependence on him, we must earnestly endeavour to bring our minds up to.
To the chief musician, Maschil, for the sons of Korah.
Psa 42:1-5
Holy love to God as the chief good and our felicity is the power of godliness, the very life and soul of religion, without which all external professions and performances are but a shell and carcase: now here we have some of the expressions of that love. Here is,
Psa 42:6-11
Complaints and comforts here, as before, take their turn, like day and night in the course of nature.