1 My heart is inditing a good matter: I speak of the things which I have made touching the king: my tongue is the pen of a ready writer.
1 [[To the chief Musician H5329 upon Shoshannim, H7799 for the sons H1121 of Korah, H7141 Maschil, H4905 A Song H7892 of loves.]] H3039 My heart H3820 is inditing H7370 a good H2896 matter: H1697 I speak H559 of the things which I have made H4639 touching the king: H4428 my tongue H3956 is the pen H5842 of a ready H4106 writer. H5608
1 My heart overfloweth with a goodly matter; I speak the things which I have made touching the king: My tongue is the pen of a ready writer.
1 To the Overseer. -- `On the Lilies.' -- By sons of Korah. -- An Instruction. -- A song of loves. My heart hath indited a good thing, I am telling my works to a king, My tongue `is' the pen of a speedy writer.
1 {To the chief Musician. Upon Shoshannim. Of the sons of Korah. An instruction; -- a song of the Beloved.} My heart is welling forth [with] a good matter: I say what I have composed touching the king. My tongue is the pen of a ready writer.
1 > My heart overflows with a noble theme. I recite my verses for the king. My tongue is like the pen of a skillful writer.
1 <To the chief music-maker; put to Shoshannim. Of the sons of Korah. Maschil. A Song of loves.> My heart is flowing over with good things; my words are of that which I have made for a king; my tongue is the pen of a ready writer.
Behold, a king shall reign in righteousness, and princes shall rule in judgment. And a man shall be as an hiding place from the wind, and a covert from the tempest; as rivers of water in a dry place, as the shadow of a great rock in a weary land.
The song of songs, which is Solomon's. Let him kiss me with the kisses of his mouth: for thy love is better than wine. Because of the savour of thy good ointments thy name is as ointment poured forth, therefore do the virgins love thee. Draw me, we will run after thee: the king hath brought me into his chambers: we will be glad and rejoice in thee, we will remember thy love more than wine: the upright love thee. I am black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon. Look not upon me, because I am black, because the sun hath looked upon me: my mother's children were angry with me; they made me the keeper of the vineyards; but mine own vineyard have I not kept. Tell me, O thou whom my soul loveth, where thou feedest, where thou makest thy flock to rest at noon: for why should I be as one that turneth aside by the flocks of thy companions?
Hear; for I will speak of excellent things; and the opening of my lips shall be right things. For my mouth shall speak truth; and wickedness is an abomination to my lips. All the words of my mouth are in righteousness; there is nothing froward or perverse in them. They are all plain to him that understandeth, and right to them that find knowledge.
Lift up your heads, O ye gates; and be ye lift up, ye everlasting doors; and the King of glory shall come in. Who is this King of glory? The LORD strong and mighty, the LORD mighty in battle. Lift up your heads, O ye gates; even lift them up, ye everlasting doors; and the King of glory shall come in. Who is this King of glory? The LORD of hosts, he is the King of glory. Selah.
For I am full of matter, the spirit within me constraineth me. Behold, my belly is as wine which hath no vent; it is ready to burst like new bottles. I will speak, that I may be refreshed: I will open my lips and answer.
Worthy.Bible » Commentaries » Matthew Henry Commentary » Commentary on Psalms 45
Commentary on Psalms 45 Matthew Henry Commentary
Psalm 45
This psalm is an illustrious prophecy of Messiah the Prince: it is all over gospel, and points at him only, as a bridegroom espousing the church to himself and as a king ruling in it and ruling for it. It is probable that our Saviour has reference to this psalm when he compares the kingdom of heaven, more than once, to a nuptial solemnity, the solemnity of a royal nuptial, Mt. 22:2; 25:1. We have no reason to think it has any reference to Solomon's marriage with Pharaoh's daughter; if I thought that it had reference to any other than the mystical marriage between Christ and his church, I would rather apply it to some of David's marriages, because he was a man of war, such a one as the bridegroom here is described to be, which Solomon was not. But I take it to be purely and only meant of Jesus Christ; of him speaks the prophet this, of him and of no other man; and to him (v. 6, 7) it is applied in the New Testament (Heb. 1:8), nor can it be understood of any other. The preface speaks the excellency of the song (v. 1). The psalm speaks,
In singing this psalm our hearts must be filled with high thoughts of Christ, with an entire submission to and satisfaction in his government, and with an earnest desire of the enlarging and perpetuating of his church in the world.
To the chief musician upon Shoshannim, for the sons of Korah, Maschil. A song of loves.
Psa 45:1-5
Some make Shoshannim, in the title, to signify an instrument of six strings; others take it in its primitive signification for lilies or roses, which probably were strewed, with other flowers, at nuptial solemnities; and then it is easily applicable to Christ who calls himself the rose of Sharon and the lily of the valleys, Cant. 2:1. It is a song of loves, concerning the holy love that is between Christ and his church. It is a song of the well-beloved, the virgins, the companions of the bride (v. 14), prepared to be sung by them. The virgin-company that attend the Lamb on Mount Zion are said to sing a new song, Rev. 14:3, 4.
Psa 45:6-9
We have here the royal bridegroom filling his throne with judgment and keeping his court with splendour.
Psa 45:10-17
This latter part of the psalm is addressed to the royal bride, standing on the right hand of the royal bridegroom. God, who said to the Son, Thy throne is for ever and ever, says this to the church, which, upon the account of her espousals to the Son, he here calls his daughter.