15 The idols of the nations are silver and gold, The work of men's hands.
Their idols are silver and gold, The work of men's hands. They have mouths, but they don't speak; They have eyes, but they don't see; They have ears, but they don't hear; They have noses, but they don't smell; They have hands, but they don't feel; They have feet, but they don't walk; Neither do they speak through their throat. Those who make them will be like them; Yes, everyone who trusts in them.
The image, a workman has cast [it], and the goldsmith overlays it with gold, and casts [for it] silver chains. He who is too impoverished for [such] an offering chooses a tree that will not rot; he seeks to him a skillful workman to set up an engraved image, that shall not be moved.
Those who fashion an engraved image are all of them vanity; and the things that they delight in shall not profit; and their own witnesses don't see, nor know: that they may be disappointed. Who has fashioned a god, or molten an image that is profitable for nothing? Behold, all his fellows shall be disappointed; and the workmen, they are of men: let them all be gathered together, let them stand up; they shall fear, they shall be put to shame together. The smith [makes] an axe, and works in the coals, and fashions it with hammers, and works it with his strong arm: yes, he is hungry, and his strength fails; he drinks no water, and is faint. The carpenter stretches out a line; he marks it out with a pencil; he shapes it with planes, and he marks it out with the compasses, and shapes it after the figure of a man, according to the beauty of a man, to dwell in a house. He cuts down cedars for himself, and takes the cypress and the oak, and strengthens for himself one among the trees of the forest: he plants a fir tree, and the rain nourishes it. Then shall it be for a man to burn; and he takes of it, and warms himself; yes, he kindles it, and bakes bread: yes, he makes a god, and worships it; he makes it an engraved image, and falls down to it. He burns part of it in the fire; with part of it he eats flesh; he roasts roast, and is satisfied; yes, he warms himself, and says, Aha, I am warm, I have seen the fire. The residue of it he makes a god, even his engraved image; he falls down to it and worships, and prays to it, and says, Deliver me; for you are my god. They don't know, neither do they consider: for he has shut their eyes, that they can't see; and their hearts, that they can't understand. None calls to mind, neither is there knowledge nor understanding to say, I have burned part of it in the fire; yes, also I have baked bread on the coals of it; I have roasted flesh and eaten it: and shall I make the residue of it an abomination? shall I fall down to the stock of a tree? He feeds on ashes; a deceived heart has turned him aside; and he can't deliver his soul, nor say, Is there not a lie in my right hand?
Some pour out gold from the bag, and weigh silver in the balance. They hire a goldsmith, and he makes it a god. They fall down--yes, they worship. They bear it on the shoulder, they carry it, and set it in its place, and it stands, from its place it shall not move: yes, one may cry to it, yet it can not answer, nor save him out of his trouble.
For the customs of the peoples are vanity; for one cuts a tree out of the forest, the work of the hands of the workman with the axe. They deck it with silver and with gold; they fasten it with nails and with hammers, that it not move. They are like a palm tree, of turned work, and don't speak: they must be carried, because they can't go. Don't be afraid of them; for they can't do evil, neither is it in them to do good." There is none like you, Yahweh; you are great, and your name is great in might. Who should not fear you, King of the nations? for to you does it appertain; because among all the wise men of the nations, and in all their royal estate, there is none like you. But they are together brutish and foolish: the instruction of idols! it is but a stock. There is silver beaten into plates, which is brought from Tarshish, and gold from Uphaz, the work of the artificer and of the hands of the goldsmith; blue and purple for their clothing; they are all the work of skillful men. But Yahweh is the true God; he is the living God, and an everlasting King: at his wrath the earth trembles, and the nations are not able to abide his indignation. Thus shall you say to them, The gods that have not made the heavens and the earth, these shall perish from the earth, and from under the heavens.
"What value does the engraved image have, that its maker has engraved it; the molten image, even the teacher of lies, that he who fashions its form trusts in it, to make mute idols? Woe to him who says to the wood, 'Awake!' or to the mute stone, 'Arise!' Shall this teach? Behold, it is overlaid with gold and silver, and there is no breath at all in the midst of it.
Worthy.Bible » Commentaries » Keil & Delitzsch Commentary » Commentary on Psalms 135
Commentary on Psalms 135 Keil & Delitzsch Commentary
Four-Voiced Hallelujah to the God of Israel, the God of Gods
Psalms 135 is here and there (vid., Tפsefפth Pesachim 117 a ) taken together with Psalms 134:1-3 as one Psalm. The combining of Ps 115 with Psalms 114:1-8 is a misapprehension caused by the inscriptionless character of Ps 115, whereas Ps 135 and Psalms 134:1-3 certainly stand in connection with one another. For the Hallelujah Psalms 135 is, as the mutual relation between the beginning and close of Psalms 134:1-3 shows, a Psalm-song expanded out of this shorter hymn, that is in part drawn from Ps 115.
It is a Psalm in the mosaic style. Even the Latin poet Lucilius transfers the figure of mosaic-work to style, when he says: quam lepide lexeis compostae ut tesserulae omnes ... In the case of Psalms 135 it is not the first time that we have met with this kind of style. We have already had a glimpse of it in Psalms 97:1-12 and Psalms 98:1-9. These Psalms were composed more especially of deutero-Isaianic passages, whereas Psalms 135 takes its tesserulae out of the Law, Prophets, and Psalms.
The beginning is taken from Psalms 134:1; Psalms 135:2 recalls Psalms 116:19 (cf. Psalms 92:14); and Psalms 135:4 is an echo of Deuteronomy 7:6. The servants of Jahve to whom the summons is addressed, are not, as in Psalms 134:1., His official servants in particular, but according to Psalms 135:2 , where the courts, in the plural, are allotted to them as their standing-place, and according to Psalms 135:19-20, those who fear Him as a body. The threefold Jahve at the beginning is then repeated in Jāh ( הללוּ־יהּ , cf. note 1 to PsPsalms 104:35), Jahve , and Jāh . The subject of כּי נעים is by no means Jahve (Hupfeld), whom they did not dare to call נעים in the Old Testament, but either the Name, according to Ps 54:8 (Luther, Hitzig), or, which is favoured by Psalms 147:1 (cf. Proverbs 22:18), the praising of His Name (Appolinaris: ἐπεὶ τόδε καλὸν ἀείδειν ): His Name to praise is a delightful employ, which is incumbent on Israel as the people of His choice and of His possession.
The praise itself now begins. כּי in Psalms 135:4 set forth the ground of the pleasant duty, and the כי that begins this strophe confirms that which warrants the summons out of the riches of the material existing for such a hymn of praise. Worthy is He to be praised, for Israel knows full well that He who hath chosen it is the God of gods. The beginning is taken from Psalms 115:3, and Psalms 135:7 from Jeremiah 10:13 (Psalms 51:16). Heaven, earth, and water are the three kingdoms of created things, as in Exodus 20:4. נשׂיא signifies that which is lifted up, ascended; here, as in Jeremiah, a cloud. The meaning of בּרקים למּטר עשׂה is not: He makes lightnings into rain, i.e., resolves them as it were into rain, which is unnatural; but either according to Zechariah 10:1 : He produces lightnings in behalf of rain, in order that the rain may pour down in consequence of the thunder and lightning, or poetically: He makes lightnings for the rain, so that the rain is announced (Apollinaris) and accompanied by them. Instead of מוצא (cf. Psalms 78:16; Psalms 105:43), which does not admit of the retreating of the tone, the expression is מוצא , the ground-form of the part. Hiph . for plurals like מחצרים , מחלמים , מעזרים , perhaps not without being influenced by the ויּוצא in Jeremiah, for it is not מוצא from מצא that signifies “producing,” but מוציא = מפיק . The metaphor of the treasuries is like Job 38:22. What is intended is the fulness of divine power, in which lie the grounds of the origin and the impulses of all things in nature.
Worthy is He to be praised, for He is the Redeemer out of Egypt. בּתוככי as in Psalms 116:19, cf. Psalms 105:27.
Worthy is He to be praised, for He is the Conqueror of the Land of Promise. in connection with Psalms 135:10 one is reminded of Deuteronomy 4:38; Deuteronomy 7:1; Deuteronomy 9:1; Deuteronomy 11:23; Joshua 23:9. גּוים רבּים are here not many, but great peoples (cf. גּדלים in Psalms 136:17), since the parallel word עצוּמים is by no means intended of a powerful number, but of powerful might (cf. Isaiah 53:12). As to the rest also, the poet follows the Book of Deuteronomy: viz., לכל ממלכות as in Deuteronomy 3:21, and נתן נחלה as in Deuteronomy 4:38 and other passages. It is all Deuteronomic with the exception of the שׁ , and the ל e in Psalms 135:11 as the nota accus . (as in Psalms 136:19., cf. Psalms 69:6; Psalms 116:16; Psalms 129:3); the construction of הרג is just as Aramaizing in Job 5:2; 2 Samuel 3:30 (where 2 Samuel 3:30-31, like 2 Samuel 3:36-37, are a later explanatory addition). The הרג alternating with הכּה is, next to the two kings, also referred to the kingdoms of Canaan, viz., their inhabitants. Og was also an Amoritish king, Deuteronomy 3:8.
This God who rules so praiseworthily in the universe and in the history of Israel is the same yesterday, and to-day, and for ever. Just as Psalms 135:13 (cf. Psalms 102:13) is taken from Exodus 3:15, so Psalms 135:14 is taken from Deuteronomy 32:36, cf. Psalms 90:13, and vid., on Hebrews 10:30-31.
For the good of His proved church He ever proves Himself to be the Living God, whereas idols and idol-worshippers are vain - throughout following Psalms 115:4-8, but with some abridgments. Here only the אף used as a particle recalls what is said there of the organ of smell ( אף ) of the idols that smells not, just as the רוּח which is here (as in Jeremiah 10:14) denied to the idols recalls the הריח denied to them there. It is to be rendered: also there is not a being of breath, i.e., there is no breath at all, not a trace thereof, in their mouth. It is different in 1 Samuel 21:9, where אין ישׁ (not אין ) is meant to be equivalent to the Aramaic אין אית , num ( an ) est ; אין is North-Palestinian, and equivalent to the interrogatory אם (after which the Targum renders אלּוּ אית ).
A call to the praise of Jahve, who is exalted above the gods of the nations, addressed to Israel as a whole, rounds off the Psalm by recurring to its beginning. The threefold call in Psalms 115:9-11; Psalms 118:2-4, is rendered fourfold here by the introduction of the house of the Levites, and the wishing of a blessing in Psalms 134:3 is turned into an ascription of praise. Zion, whence Jahve's self-attestation, so rich in power and loving-kindness, is spread abroad, is also to be the place whence His glorious attestation by the mouth of men is spread abroad. History has realized this.