1 A Song, a Psalm of David. Prepared is my heart, O God, I sing, yea, I sing praise, also my honour.
Prepared is my heart, O God, Prepared is my heart, I sing and praise. Awake, mine honour, awake, psaltery and harp, I awake the morning dawn. I thank Thee among the peoples, O Lord, I praise Thee among the nations. For great unto the heavens `is' Thy kindness, And unto the clouds Thy truth. Be thou exalted above the heavens, O God. Above all the earth Thine honour!
Then singeth Moses and the sons of Israel this song to Jehovah, and they speak, saying: -- `I sing to Jehovah, For triumphing He hath triumphed; The horse and its rider He hath thrown into the sea.
By David, in his changing his behaviour before Abimelech, and he driveth him away, and he goeth. I do bless Jehovah at all times, Continually His praise `is' in my mouth.
To the Overseer. -- A Psalm, a song of David. Rise doth God -- scattered are His enemies! And those hating Him flee from His face.
My mouth recounteth Thy righteousness, All the day Thy salvation, For I have not known the numbers.
My lips cry aloud when I sing praise to Thee, And my soul that Thou hast redeemed, My tongue also all the day uttereth Thy righteousness, Because ashamed -- because confounded, Have been those seeking my evil!
By David. I confess Thee, with all my heart, Before the gods I do praise Thee.
Praise by David. I exalt Thee, my God, O king, And bless Thy name to the age and for ever. Every day do I bless Thee, And praise Thy name to the age and for ever.
Worthy.Bible » Commentaries » Keil & Delitzsch Commentary » Commentary on Psalms 108
Commentary on Psalms 108 Keil & Delitzsch Commentary
Two Elohimic Fragments Brought Together
The אודך in Psalms 108:4 and the whole contents of this Psalm is the echo to the הודוּ of the preceding Psalm. It is inscribed a Psalm-song by David , but only because it is compiled out of ancient Davidic materials. The fact of the absence of the למנצח makes it natural to suppose that it is of later origin. Two Davidic Psalm-pieces in the Elohimic style are here, with trifling variations, just put together, not soldered together, and taken out of their original historical connection.
That a poet like David would thus compile a third out of two of his own songs (Hengstenberg) is not conceivable.
This first half is taken from Ps. 57:8-12. The repetition of confident is my heart in Psalms 57:1-11 is here omitted; and in place of it the “my glory” of the exclamation, awake my glory , is taken up to “I will sing and will harp” as a more minute definition of the subject (vid., on Psalms 3:5): He will do it, yea,his soul with all its godlike powers shall do it. Jahve in Psalms 108:4 is transformed out of the Adonaj ; and Waw copul . is inserted both before Psalms 108:4 and Psalms 108:6 , contrary to Psalms 57:1-11. מעל , Psalms 108:5 (as in Esther 3:1), would be a pleasing change for עד if Psalms 108:5 followed Psalms 108:5 and the definition of magnitude did not retrograde instead of heightening. Moreover Psalms 36:6; Jeremiah 51:9 (cf. על in Psalms 113:4; Psalms 148:13) favour עד in opposition to מעל .
Ps. 60:7-14 forms this second half. The clause expressing the purpose with למען , as in its original, has the following הושׁיעה for its principal clause upon which it depends. Instead of ועננוּ , which one might have expected, the expression used here is וענני without any interchange of the mode of writing and of reading it; many printed copies have ועננו here also; Baer, following Norzi, correctly has וענני . Instead of ולי ... לי , Psalms 60:9, we here read לי ... לי , which is less soaring. And instead of Cry aloud concerning me, O Philistia do I shout for joy (the triumphant cry of the victor); in accordance with which Hupfeld wishes to take התרועעי in the former as infinitive: “over ( עלי instead of עלי ) Philistia is my shouting for joy” ( התרועעי instead of התרועעי , since the infinitive does not admit of this pausal form of the imperative). For עיר מצור we have here the more usual form of expression עיר מבצר . Psalms 108:12 is weakened by the omission of the אתּה ( הלא ).